Search: Starring Matthew MacFadyen

Like its central character, then, this is beautiful and brave even if it fails to fully realise its potential.

Green shows the trickle-down effect of toxic masculinity, as Jane's male colleagues - scarcely higher in the pecking order than her - nevertheless chip away at her.

Deadpool & Wolverine is more of the same.

For farce to work well, the plotting needs to be watertight, whereas here the sheer excess of characters fails entirely to cover up this film's flimsy underpinnings.

Whatever one's take on the story, there's no disputing that the series has a terrific cast.

It’s Frank Langella’s towering interpretation of Nixon that eventually makes every other character real.

If a member of cast could save a film, Michelle Williams would be the person to hire, since her central performance in this muddle of a movie is the only thing that stops it being unwatchable.

Although flirting with melodrama, writer/director McGann remains wedded to the truth.

Elegant and gripping but perhaps just a little genteel.

This is the first time in ages - perhaps ever - that the hot-blooded delights of a country house ball have been shown to be fun.

The film is at its strongest in the scenes between Crowe and Blanchett, as Marion - both no-nonsense in attitude - as they spar verbally and bring some much-needed humour to the discourse.

The characters in the film are very much 2D.